The director and star combined in the 1990s with “Lock, Stock and Two Smoking Barrels” and “Snatch” — which highlighted the former’s kinetic style and the latter’s brooding intensity — but last teamed up on “Revolver” in 2005.
Adapted from a 2004 French film, the plot of their latest collaboration begins simply enough, with Statham’s mysterious Patrick Hill taking a job working for an armored car company that transports large amounts of cash. The business is introduced with one of the trucks getting robbed, underscoring that this isn’t a career for the faint of heart.
Still, Hill seems to have more on his mind than just commerce, and the underpinnings of what really motivated him soon become clear. In the movie’s one inventive wrinkle, the key sequence is shown and reshown from multiple perspectives, gradually filling in details about what happened and why, while reinforcing the fact (as if there were any doubt) that Statham’s character is the worst guy to get angry this side of Bruce Banner.
Taken on its terms, the movie isn’t terrible strictly as mindless escapism. But beyond the most basic, visceral thrills, “Wrath of Man’s” bitter fruit yields a slim harvest.
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